The microAUDIO 722 incorporates the iconic analogue filter from the miniKORG 700S, known for its warm, musical response. It can be used as a standalone analogue filter or integrated directly into your DAW setup, adding unique tonal shaping possibilities. 

Connect a guitar or bass to use it as an auto-wah effect, or route digital synthesizers through it to introduce classic analogue motion and character. 

The filter includes Low-Pass, High-Pass, and Bypass modes and can process inputs as well as any audio played back from a connected computer. 

With MIDI In/Out connectivity, you can automate the filter, synchronize with external hardware, and explore creative hybrid workflows that blend digital precision with the miniKORG 700S’s distinctive analog behavior. 

microAUDIO Editor—now available for 22 and 722. 

The microAUDIO Editor is a dedicated application for editing effect settings—including the Noise Gate and either a Compressor or Limiter—and configuring MIDI settings. 

Compatible with both microAUDIO 22 and 722. When connected to the microAUDIO 722, filter settings are also available and synchronize with the unit’s knobs. 

Filter Ark 

The Heart of Creative Sound Design 

Bundled exclusively with microAUDIO, Filter Ark is KORG’s next-generation filter plugin for DAW-based production. 

It faithfully reproduces legendary analog filters from the MS-20, Polysix, miniKORG 700S, and ARP Odyssey, while introducing new models such as physically modeled resonators and vowel-based filters. 

With up to four filters routable in series, parallel, or feedback configurations, plus morphable LFOs, sequencers, and macros for advanced modulation, Filter Ark turns filtering into a creative instrument. 

Scale quantization and performance-ready presets ensure every movement is musical, unlocking expressive sound design far beyond traditional filtering. 

Software Bundle for Instant Creation 

In addition to Filter Ark, microAUDIO includes a complete software suite with instruments and production tools such as Ableton Live Lite, Native Instruments Komplete Select, and iZotope Ozone Elements. This covers everything from composition and recording to mixing and mastering. 

Specifications 

Audio format 

Sampling rate: 44.1 kHz/48 kHz/88.2 kHz/96 kHz/176.4 kHz/192 kHz 

Bit rate: 24-bit 

Mic input 

Dynamic range: 109 dB (A characteristic) 

THD+N: less than 0.015% (minimum gain, -1 dBFS input) 

Maximum input level: -2 dBu (minimum gain) 

Gain range: 56 dB 

Impedance: 1.5 kΩ 

Line input 

Dynamic range: 109 dB (A characteristic) 

THD+N: less than 0.004% (minimum gain, -1 dBFS input, 22 Hz/22 kHz bandpass filter) 

Maximum input level: 13 dBu/18 dBu (SE/ DIF) (minimum gain) 

Gain range: 56 dB 

Impedance: 1 MΩ/2 MΩ (SE/DIF) 

Line output 

Dynamic range: 109 dB (A characteristic) 

THD+N: less than 0.0015% (minimum gain, -1 dBFS input) 

Maximum output level: 10 dBu/16 dBu (minimum gain) 

Impedance: 330 Ω/660 Ω (SE/DIF) 

Headphone output 

Dynamic range: 107 dB (A characteristic) 

THD+N: less than 0.0015% (minimum gain, -1 dBFS input, 22 Hz/22 kHz bandpass filter) 

Maximum output level: 10 dBu (minimum gain) 

Impedance: 20 Ω 

Jacks and ports 

IN 1, 2 jacks (XLR/6.3 mm TRS monaural phone jack), OUT 1, 2 jacks (6.3 mm TRS monaural phone jacks), (USB) port (Type-C), (headphones) jack (6.3 mm stereo phone jack), MIDI IN jack, MIDI OUT jack (3.5 mm TRS phone jack) 

Power supply 

USB bus power 

Current consumption 

800 mA or less 

Dimensions 

Weight 

Included items 

USB cable, Quick Start Guide 

* All product names and company names are the trademarks or registered trademarks of their respective owners. 

*Specifications and appearance may be changed without notice for improvement purposes.