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AUD-ORIA

Audient ORIA Immersive Audio Interface and Monitor Controller

2 In Stock

Atmos just got easy

Meet ORIA, the world’s first audio interface and monitor controller designed specifically with immersive audio in mind. Built for creating immersive audio mixes for formats such as Dolby Atmos, ORIA lets you calibrate, control and monitor multi-channel speaker arrays from stereo up to 9.1.6 and everything in between. Perfect for music, film, TV, game and VR production.

A perfect fit

Designed with a dual purpose, ORIA not only excels as a powerful USB-C audio interface providing 16 outputs for up to 9.1.6 mixing workflows, but can also effortlessly integrate into your existing studio setup as a standalone monitor controller via its ADAT Inputs. Flexibility where you need it.

Features

Hardware Features:

• Supports up to 9.1.6 Speaker Setups
• 2 x 16 Channel Surround Outputs (Analogue & AES)
• 2 x Stereo Line Outputs (Relay Switched)
• 2 x Independent Stereo Headphone Outputs
• 2 x Audient Mic Preamps (Mic / D.I / Line)
• 2 x ADAT Inputs
• Word Clock Input

• Word Clock Output
• ORIA Motion UI
• 24 bit / 96kHz
• USB 2.0 / USB Type-C
• Sonarworks SoundID Reference Measurement Microphone Included
• Optional AoIP Card (Dante) for 16 Input channels

Software Features:

Immersive Monitoring Control

• Input / Output Switching
• Master Volume Control
• Global Delay (lip sync)
• Individual Speaker Solo & Mute
• Speaker Group Solo & Mute
• Per Channel Metering (pre & post)
• Down Mix Cycling – Dolby Renderer Integrated
• Programmable Function Button

iPad Control App

Onboard Room Calibration DSP

• Per Output EQ
• Per Output Delay
• Per Output Trim
• Per Output Crossover (Bass Management)
• Profile Switching – Sonarworks Integrated
• Configurable Global Bypass

Advanced Speaker Processing

Working with multi-channel speaker setups requires a precisely calibrated room but let’s face it, calibrating your room is a difficult and time consuming process.
But what if it didn’t have to be?

All present & correct

ORIA’s Advanced Speaker Processing lets you calibrate your room and create custom onboard calibration Profiles (presets) for any monitoring format from stereo to surround to 9.1.6 immersive setups making reference checking your mix in different formats a breeze.

Make that connection

With a huge array of connectivity options, ORIA provides more than enough I/O to take on professional multi channel setups. Plug in your surround speakers via the line or AES outputs. Connect your nearfield speakers to the dedicated Stereo Outputs. And easily integrate an external interface or preamp using the ADAT inputs.

High Performance Converters


Mix with confidence. Thanks to a massive 126dB of dynamic range, your mixes will sound more detailed than ever with ORIA’s high performance AD/DA converters. Built to deliver the most honest translation of your audio, help you hear subtle detail, identify problematic issues and make better mix decisions. Total clarity, for taking your mixes to the next level.

An analogue preamp, but smarter
Audient Console Mic Preamps
Designed to deliver ultra- low noise and low distortion with a touch of classic
analogue warmth, ORIA’s two Audient Console Mic Preamps deliver 60dB of gain

and will work as mic, line or Hi-Z instrument inputs. Giving you clean, accurate and
true to source translation of your audio.
And for the first time ever, the Audient Console Mic Preamp is now remote
controlled. Optimised to give you the sonic benefits of its all analogue design
alongside pinpoint accurate digital control.

  • Record your audio
  • Plug in your reference mic
  • Control from software


A real head turner


A real jaw dropper. ORIA’s Ring LED buttons and backlit LCD screen are designed to
shine, and a striking all black finish adds a touch of class. Who said studio gear
has to look boring?

Ready to face the world


An 8mm thick faceplate and solid steel design means ORIA is ready to withstand
studio wear and tear. And ORIA’s fanless design means it is whisper quiet, ready to
sit front and centre in your studio.

Tech Specs

Microphone Inputs



Gain: 60dB

Max Input Level: +18dBu

Crosstalk: <105dB

THD+N: 0.0015% / -96dB

EIN: -129dB

CMRR: -85dB

SNR: 100dB

Frequency Response: ±0.5dB 20Hz to 40kHz

Input Impedance: 1.5kΩ Balanced



Line Inputs



Gain: -10dB to +50dB

Max Input Level: +18dBu

THD+N: 0.0015% / -96dB

Input Impedance: 4.7kΩ Balanced



D.I / Instrument Input



Gain: 60dB

Max Input Level: +18dBu

THD+N: 0.16%

SNR: 100dB

Frequency Response: ±0.5dB 20Hz to 40kHz

Input Impedance: 370kΩ Unbalanced



Line Outputs



Lineup Level: +18dBu

THD+N: 0.0006%, -105dB

Dynamic Range: 126.5dB

Crosstalk: -123dB

Frequency Response: ±0.3dB 10Hz to 40kHz

Output Impedance: <100Ω Balanced



Headphone Outputs



Lineup Level: +18dBu

THD+N: 0.0007% (-103dB)

Dynamic Range: 124dB

Crosstalk: -115dB

Frequency Response: ±0.25dB 10Hz to 40kHz

Output Impedance: <50 Ω Unbalanced

Max Level @ 30R: 5.47V Peak, 3.87Vrms, 997mW

Max Level @ 60R: 7.4V Peak, 5.29Vrms, 912mW

Max Level @ 600R: 8.6V Peak, 6.09Vrms, 123mW



USB-C



Connector: USB Type C

Included Cable: USB Type-C to Type-C

Number of Input Channels: 34 (2x Analogue, 16 Digital, 16 AOIP*)

Number of Output Channels: 38 (20 Line Outs, 2x Stereo Headphone Outs, 16x AES)

*With AOIP card fitted



Digital Inputs



ADAT 16 Channels: 44.1kHz to 48kHz

ADAT 8 Channels (SMUX): 88.2kHz to 96kHz



Digital Outputs



AES Outputs: 16 Audio Channels (8x AES Data Streams)



Word Clock Input and Output



Word Clock: 44.1kHz to 96kHz



DSP Latency



Round Trip: TBC



AOIP (Optional Dante Expansion Card)



AOIP Inputs: 16 (44.1kHz to 96kHz)



Power Supply



Input Voltage: 85 – 264 VAC

Input Frequency: 47 – 63Hz