BLA-REVOLUTION-2x2
Black Lion Audio have been revered as the “king of audio mods” for years, and have modded countless recording interfaces over the years. But since the very beginning, we’ve been asked when we would create our own interface. So, we planned, engineered, and worked — all in secret, for years. It took an impressive amount of design to revolutionize bus-powered, studio-grade interfaces. Now we are responding with Revolution 2×2: the ultimate in portable recording interfaces. Revolution isn’t another run-of-the-mill interface from big brother — it’s the interface the world has always asked for. Don’t just settle for “the cheap and portable” – get an interface that can do more than just start a demo, but actually finish a top-level record from start to finish.
Type: USB-C Audio Interfaces
Revolution Software Suite
• Studio One Artist
• Izotope Elements Suite including Nektar, Neutron, Ozone and RX8
• BrainWorx BX Digital
• Lindell 6X500
Studio One Artist
• Mac and PC compatible
• Unlimited tracks
• Multilingual
• 3rd party plugin support
Mic Input
Input Impedance = 3KΩ (balanced)
Gain Range = 55dB
Frequency Response = 20Hz – 20KHz +/- 0.25dB
THD + N = .00098% (@12dB Gain)
Dynamic Range = 116dB (A-Weighted)
Crosstalk = < 100dB
Line Input
Input Impedance = 14KΩ (balanced)
Maximum Input = 20dBu
Gain Range = 55dB
Frequency Response = 20Hz – 20KHz +/- 0.25dB
THD + N = .0022% (Min Gain)
Dynamic Range = 126dB (A-Weighted)
Crosstalk = < 100dB
Line Outputs
Output Impedance = 95Ω (balanced)
Max Output Level = 12dBu
Frequency Response = 20Hz – 20KHz +/- 0.25dB
THD+N = .002% (@ +10dBu)
Dynamic Range = 106dB**
Instrument Input
Input Impedance = 1MΩ (unbalanced)
Gain Range = 55dB
Frequency Response = 20Hz – 20KHz +/- 0.25dB
THD + N = .00114% (@ 0dBu)
Dynamic Range = 103dB (A-Weighted)
Crosstalk = < 100dB
Headphone Outputs
Output Impedance = 2.5Ω
Maximum Signal Output = 9.3dBu
Frequency Response = 20Hz – 20KHz +/- 0.5dB
**Dynamic range is affected by our preference to tuning invidual stages for tonality. We found that the best sounding parts in the output path weren’t necessarily the lowest noise components but they resulted in an optimal tone and signal purity that is instantly apparent to the listener. Electronic design is a game of compromise and we’re confident your ears will agree with our choices.