EMP-EL8
Introduced in 1993, the Empirical Labs EL8 Distressor is revered in studios all over the world as the modern, “must-have” compressor. Versatile, super fast, and offering tons of colour, the Distressor picks up where the legendary UA 1176 and Teletronix LA-2A compressors leave off — a modern tool that’s equal parts utilitarian and creative, as heard on thousands of hit records.
The only authentic Distressor plug-in endorsed by Empirical Labs’ founder Dave Derr, the UAD Empirical Labs EL8 Distressor is available exclusively for UAD hardware and Apollo interfaces. An exhaustive end-to-end emulation of Derr’s iconic hardware, the UAD EL8 Distressor is the only faithful emulation of this true “desert island” compressor.
Painstaking, end-to-end circuit emulation of the iconic hardware designed by Dave Derr, exclusively for Universal Audio
Provides the entire circuit path and control set of the original Empirical Labs hardware
Features seven fixed ratios, including Optical and Nuke, Distortion Modes, and Detector Modes
Plug-in-exclusive features include Dry/Wet parallel processing and Headroom for user-customizable operating level
A prominent recording engineer recently wagered that there probably was not a top 40 record made in the last five years that didn’t have at least one Distressor on it.
All eight of the Distressor’s curves are unique and distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the “Nuke” setting - a brick wall limiting curve that shines on live drum room mics. Each curve has its own personality and several actually use different circuitry and are effectively different compressors. Most exceptional is the 10:1 “Opto” ratio which uses separate detector circuitry to emulate the oldest (and valued) “light controlled” devices, such as the LA-2A.
Another large part of the Distressor’s personality and power derive from three modes that colour the signal, even without compression. These extended audio modes were designed to allow emulation of some very old and expensive vintage compressors & limiters, and let the Distressor deliver a classic “knee” sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters – one in the audio path, and one in the detector path - are also available to help with low frequencies that can cause pumping and breathing.
The Distressor is available in either its original form (EL8), or in a modified version (EL8-X) with two additional functions - British Mode, and Image Link.
Freq. the response is 2 Hz to 160 kHz in clean audio mode (+0, -3 dB). The response is shaped in distortion modes (Dist 2, Dist 3).
Dynamic range 110 dB from max. output to min. output in 1:1 mode. Greater than 100 dB signal to noise in distort 3 modes.
Distortion ranges between .02% and 20% depending on distortion mode and release times set on the front panel.
DC-coupled output - High-quality input caps.
Input impedance is 20K Ohms, Output impedance is < 75 ohms
Time constants - Attack range 50uS - 50mS. Release range .05 sec to 3.5 seconds, normal modes and up to 20 seconds in 10:1 Opto mode. Time constants are dependent on the ratio.
Metal Chassis - single height 1.75" high, 10" deep, 19" wide.
Shipping info - 12.1 lbs mono, 24.2 lbs Stereo pair. Mono box dimensions 22.5" x 18.5" x 3 1/4".
Stereo Pair box dimensions 22.5" x 18.5" x 6 1/4
Type: Compressors/Limiters