R10-MP-DB2
The Royer R-10 Ribbon Microphone is a perfect choice for electric guitars, brass instruments and drums, and its figure-8 pattern conveys superb ambience and depth when used for room miking applications. The R-10's smooth frequency response, phase linearity and lack of self-distortion make it ideal for digital recording. The R-10 incorporates Royer's patented offset-ribbon technology and low mass, 2.5-micron (99.9% pure) aluminum ribbon element. A custom designed impedance-matching transformer minimizes saturation and the open grill configuration minimizes standing waves and associated comb-filtering effects. The transducer's flux-frame design and rare earth Neodymium magnets create a powerful magnetic field which increases sensitivity while reducing stray magnetic radiation. The Royer R-10 Ribbon Microphone's patented offset-ribbon design positions the ribbon element towards the front of the transducer, which allows for the higher SPL handling of the front (logo) side and the option of a brighter response when recording lower SPL sound sources on the back side (3 feet or closer; phase reversed position).
The Royer dBooster2 Dual In-Line Signal Booster is two channels of everything the original dBooster is, PLUS both channels double as high-quality, super clean Di’s for electric guitars and bass! Both channels are fully independent so you can plug in two mics at once or use both channels for DI’s, or mix them up; one side for a mic and the other for DI. With microphones plugged in, the dBooster2 lets you switch between 12 dB and 20 dB of gain. When using the dBooster2’s DI inputs, you can select 0 dB (unity) gain, or switch to 8 dB of gain if you need more level. In mic mode, the 20 dB setting gives loads of clean boost for recording softer instruments and singers. For higher volume instruments or loud singers, switch to the 12 dB setting to keep from overloading your preamp or digital interface. The dBooster2’s dual Class A input stages give crystal clean gain with virtually no noise or self-distortion. The dBooster2’s low-impedance output gives optimal performance in the studio and also shines on live stages, driving long cable lengths and difficult loads like mic splitters and vintage-style preamps with no distortion, no loss of gain, and excellent headroom. The dBooster2 gives outstanding performance with Royer R-121s, R-10s and stereo SF-12s, and it brings SM7s and other dynamic mics to life in a way you have to hear to believe.
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