450835
Type: Compressors
Classic Vacuum Tube Preamplifier and FET-Style Compressor with Midas Transformers
Classic microphone/line tube preamplifier based on the classic 6176 design
Classic FET-style compressor based on the legendary 6176 compressor
Preamplifier and compressor can be operated independently or simultaneously
Premium selection 12AX7/ ECC83S and 12AT7/6072 tubes
Custom-built Midas input and output transformers
Rotary input selector switch gives a choice of input impedance for the Mic and Hi-Z inputs
Input gain trim with ±10 dB range and output level controls input and output stage coloration
2-band shelving equalizer with switchable filters
Switchable pad, polarity reverse, and 48 V phantom power
Compressor with ultra-fast attack time: 20 to 800 microseconds
Compressor with adjustable release time: 50 to 1100 milliseconds
Vintage-style meter features both gain reduction and output
Transformer-balanced inputs and outputs on XLR connectors
Rugged 2U rackmount chassis for durability in portable applications
Auto-ranging universal switch-mode power supply
The classic 6176 tube mic preamp and FET compressor served as the secret sauce for some of music history’s most well-known artists and recording engineers. From artists such as Norah Jones to John Mayer, and producers like Tony Visconti and Jack Puig, the 6176 has contributed to the recordings of numerous chart-topping hits and critically acclaimed albums, further solidifying its reputation in the industry.
We want to keep that classic alive with the Behringer 676, a classic mic/line tube preamp and compressor with custom-built Midas transformers, premium 12AX7/ECC83S and 12AT7/6072 tubes for a warm and rich sound. In just a single rack unit, the 676 provides a versatile range of tonal possibilities that can bring that same timeless quality to any recording.
676 is made for simplicity and ease of use. The preamp section features controls for input gain, impedance, polarity, high or low frequency shelf, as well as high or low boost/cut. It can even be operated independently of the compressor with the flip of the Join/Split switch.
This circuit has been praised by so many producers and engineers for its ability to give you complete freedom to fine-tune and bring the best out of any vocal or instrument before it hits the compressor.
Featuring a powerful FET compressor with an ultra-fast attack time of 20 to 800 microseconds, 676 ensures precise control over transients. Its adjustable release time, from 50 to 1100 milliseconds, allows for tailored control over dynamics. A vintage-style meter displays both gain reduction and output levels, providing essential visual feedback. This blend of speed, versatility, and classic aesthetics makes 676 an invaluable asset for any audio setup. It can go from slow and smooth leveling for vocals up to a fast and aggressive snap for drums and bass.
The 2U rackmount chassis of 676 is extremely sturdy and is designed to take up only a small portion of your valuable rack space. It happily sits in a rack case if you sometimes record on location or want to use it for live sound applications where portability and mobility are key. Either way, 676 is sure to be a perfect fit in your studio. You can even wire up the preamp and compressor completely independent of each other.
