MOOG-MODELD-GL
Type: Modular Synthesizer
LIMITED EDITION - ONLY 10 AVAILABLE IN AUSTRALIA!
Geddy Lee Minimoog Model D
The Model D in the hands of Geddy Lee has delivered legendary basses, melodic leads, and rich analog tones that are iconic and indicative of Minimoog’s creative influence on musicians.
Musicians and Rush fans can now tap into a piece of music historythat’s been used to create legendary tracks, the Minimoog is an instrument that has stood the test oftime and the Geddy Lee Minimoog Model D is a collector’s item to be cherished for decades to come.
"It’s a thrill to see the Minimoog Model D in that stunning red, so representative of one of the most fertile periods in Rush’s creative history”
GEDDY LEE
ICONIC SOUND QUALITY
Originally released in 1970, Minimoog Model D was the world’s first portable synthesizer and served as the archetype for all electronic keyboards that followed. The all-analog instrument gained acclaim for combining the colossal sound of the 1960s Moog modular synthesizers with the accessibility of pre-wired modules—meaning that it could be played instantly and intuitively with no patch cablesrequired. It was quickly embraced by a diverse roster of performers, including Rushfrontman Geddy Lee who enraptured generations withtheirunique brand of prog rock.
CLASSIC ELECTRONICS WITH MODERN TOUCHES
In addition to Geddy’s signature red finish, this model of the Minimoog offers a hot-rodded VCA circuit, dedicated LFO controls, top panel CV jacks, spring loaded pitch wheel and MIDI integration.
A UNIQUE COLLECTOR’S ITEM
For musicians and collectors seeking both inspiration and history, the Geddy Lee Minimoog Model D combines the legendary analog sound of Moog with a distinctive aesthetic that honors Rush’s iconic legacy. More than a collector’s piece, this is the most playable and celebrated synth of all time, featuring powerful modern enhancements for today’s music creators.
WHAT’S IN THE BOX
|
NUMBER OF KEYS |
44 |
|
KEYBOARD RANGE |
F0 to C4 |
|
KEYBOARD ACTION |
Synthesizer (Spring) |
|
NOTE PRIORITY |
(Low, High, Last): User Selectable |
|
SOUND SOURCES |
3x Oscillators, Noise Generator and External Audio Input |
|
OSCILLATOR FREQUENCY RANGE |
0.1 to 20 kHz (In Six Overlapping Ranges) |
|
OSCILLATOR STABILITY |
(short term) > 0.25 % |
|
OSCILLATOR WAVEFORMS |
Triangle, Triangle-Sawtooth (Oscillator–1, Oscillator–2), Reverse Sawtooth (Oscillator–3), Sawtooth, Rectangle, Wide Pulse and Narrow Pulse. |
|
NOISE GENERATOR |
White and Pink |
|
LFO RATE |
0.05Hz to 200 Hz |
|
LFO WAVEFORM |
Triangle (knob down); Square (knob up) |
|
EXTERNAL MODULATION INPUT RANGE |
+10 millivolts to +2 volts |
|
EXTERNAL MODULATION INPUT IMPEDANCE |
1MEG Ohms |
|
FILTER TYPE |
Voltage Controlled Low Pass (Ladder Filter) |
|
FILTER FREQUENCY RANGE |
10 Hz to 20 kHz |
|
FILTER SLOPE |
24 dB per Octave |
|
FILTER KEYBOARD TRACKING |
⅓, ⅔, 1:1 |
|
CONTOUR ATTACK TIME |
1 millisecond to 10 seconds |
|
CONTOUR DECAY TIME |
4 milliseconds to >35 seconds |
|
CONTOUR SUSTAIN LEVEL |
0 to 100% of Contour peak |
|
FILTER CONTOUR WIDTH |
0 to 4 Octaves |
|
VOLTAGE CONTROLLED AMPLIFIER |
Loudness Contour Dynamic Range 80 dB |
|
EXTERNAL AUDIO INPUT VOLTAGE |
+10 millivolts (min); +10volt (max.) |
|
EXTERNAL AUDIO INPUT NOMINAL IMPEDANCE |
1000K Ohms |
|
HIGH AUDIO OUTPUT |
Typical Voltage: 0.5 volts / Maximum Voltage: 4.2 volts (peak-to-peak) |
|
HIGH AUDIO OUTPUT NOMINAL IMPEDANCE |
3K Ohms |
|
LOW AUDIO OUTPUT |
(30 dB below High level): Typical Voltage: 15 millivolts |
|
LOW AUDIO OUTPUT NOMINAL IMPEDANCE |
1K Ohms |
|
HEADPHONE OUTPUT VOLTAGE |
Maximum 0.3 volts |
|
HEADPHONE OUTPUT IMPEDANCE |
8 Ohms |
|
GLIDE RATE |
1 millisecond to 10 seconds |
|
PITCH BEND RANGE |
(+/-) 7 semitones (minimum) |
|
AFTER PRESSURE CV OUTPUT (¼”TS) |
0 to +5 volts with user adjustabletrimpot |
|
PITCH CV OUTPUT (¼”TS) |
-3 volts to +7 volts (C=0 volts) |
|
GATE OUTPUT (¼”TS) |
0 to +5 volts |
|
VELOCITY OUTPUT (¼”TS) |
Selectable 0 to +5 volts or 0 to +10 volts with user adjustabletrimpot. |
|
LOUDNESS INPUT (¼”TRS) |
0 to +5 volts; +5 volts = Unity Gain (Works with Moog EP-3 Expression Pedal) |
|
FILTER CUTOFF INPUT (¼”TRS) |
1 volt per octave of change (Works with Moog EP-3 Expression Pedal) |
|
OSCILLATOR PITCH INPUT (¼”TRS) |
1 volt per octave of change (Works with Moog EP-3 Expression Pedal) |
|
MODULATION SOURCE INPUT (¼”TRS) |
Ring=Noise Send; Tip=Modulation Receive (This jack makes anormalled connection with no cable present.) |
|
TRIGGER INPUT (¼:TS) |
+5 volt V-Trigger Activates both Contour Generators |
|
MIDI INPUT (5-PIN DIN) |
Note On & Note # |
|
MIDI OUTPUT (5-PIN DIN) |
Note On, Note #; Velocity; Aftertouch,Modwheel, Pitch-bend |
|
MIDI THRU (5-PIN DIN) |
Mirror of the MIDI In signal |
|
EXTERNAL POWER SUPPLY |
Self-switching; 100–240 volts; 50/60 Hz; <12 Watt nominal consumption. (Locking XLR-4 connector.) |
|
DIMENSIONS |
(with panel lowered): Width: 28.625” /727 mm, Depth: 17.125” /435 mm, Height: 5.75” /146 mm. |
|
NET WEIGHT |
31.2 lbs. / 14.15 kg. |
|
STORAGE TEMPERATURE |
5F to 140F (2C to 60C) |
|
NOMINAL OPERATING TEMPERATURE |
10 – 35 C (50 – 95 F) |
|
OPERATING TEMPERATURE |
10 – 50 C (50 – 122 F) |
