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NOVSYNTH09AU

Novation Summit 61 Key Two-part 16 Voice Hybrid Analogue/Digital Polyphonic Synthesiser

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The Novation Summit’s digital New Oxford Oscillators offer subtractive, FM and wavetable synthesis, and feed into genuine analogue dual filters, distortion and VCAs. The multitimbral engine enables merging and combining of two complete and independent patches, while up to 16 simultaneous voices deliver enough harmonic depth for even the richest of pads.

 


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    • Product Features:

      Two Peaks in one synth - and then some

      The 16-voice, multitimbral engine combines two simultaneous patches. Split or stack them for keyboard-divided or layered sounds, or switch the entire synth between two separate and independently controlled setups, perhaps using one as an effects processor for an external input source.

      Novation's best keyboard ever

      Five-octave, semi-weighted, velocity-sensitive keyboard with aftertouch – the same premium-quality keybed as introduced with our SL MkIII controller keyboard.

      New Oxford educated

      Digital New Oxford Oscillators are capable of subtractive, FM and wavetable synthesis. Waveforms are generated directly on the FPGA (Field Programmable Gate Array) chip, using 24MHz bitstream processing; and adjustable drift and divergence emulate the inherent and often desirable instability of analogue circuits.

      True analogue filters and distortion

      The New Oxford Oscillators output to true analogue filters, with origins in the classic OSCar synth, and three stages of analogue distortion give you ample saturation options.

      Dual filters

      Summit’s dual filter is switchable between six paired combinations of low-pass, high-pass and band-pass modes at 12dB/octave, or any single mode at 24dB/octave, for a broad range of sonic possibilities.

      Hands-on sound design

      Packed with modulation sources for deep sound design – LFOs, envelopes, Animate buttons and more. Extended controls see

      FM parameters, envelope loop switches and LFOs 3/4 moved from Peak’s menu system to the front panel, for easy programming and tweaking.

      Audio in and auxiliary audio out

      Hook up external instruments for processing with Summit’s onboard effects, while using it as a synth at the same time.

      Powerful effects

      Onboard reverb, chorus and delay effects are hosted on the FPGA. They’re also controlled directly from the front panel, and available as modulation targets in the dedicated FX Mod Matrix.

    • Tech Specs:

      Synth Engine

      16 note polyphony (dependent on voices used per note)

      2-part-timbral

      Layered, Split, Dual Bi-Timbral Modes

      5 Voice Modes - Mono, MonoLG, Mono2, Poly, Poly2

      Per Voice

      3 oscillators

      1 noise generator with HP filter control

      1 ring modulator

      2 LFOs

      1 amp envelope and 2 mod envelopes (ADHSR + looping)

      1 filter

      Waveforms Include

      Sine, tri, sawtooth, square / pulse, plus 43 wavetables of 5 waveforms per row


      Filter

      1 state variable OTA filter per voice

      12/24dB slope

      Low-pass / band-pass / high-pass / dual filter (separation of each 12dB filters)

      dual filter: LP > HP, LP > BP, HP > BP, LP + HP, LP + BP, HP + BP, LP + LP, BP + BP, and HP + HP

      Pre-filter overdrive

      Post-filter distortion


      Modulation

      16 modulation slots per patch

      2 sources per destination per slot

      Mod Sources

      Direct (depth)

      Modulation wheel

      Aftertouch (polyphonic and channel AT)

      Expression pedal 1

      Expression pedal 2

      Keyboard velocity

      LFO1 positive

      LFO1 bi-polar

      LFO2 positive

      LFO2 bi-polar

    • System Requirements:

      Ableton Live Lite is included

      Summit is a USB-MIDI class compliant device


      ** Please note, system requirements may change. For the most recent system requirements please visit the manufacturer's official product listing **