8 balanced XLR mic/line inputs with 85 dB gain range Analog input level from -56.5 dBu up to +30 dBu High-end circuitry with 4 relays per channel, super low-noise microphone front-end Near click-free gain changes in steps of 0.5 dB Large frequency range (200 kHz) with special EMI input filtering 8 balanced TRS line / instrument inputs with Hi-Z option 8 balanced XLR line outputs, maximum level +27 dBu 4 x AES/EBU Out via D-sub, 8 channels @ 192 kHz 2 x ADAT Out, 8 channels @ 96 kHz (SMUX and SMUX4) Optional MADI I/O (I64 MADI Card) with serial cascading and digital return path Symmetrical hi-pass (Lo Cut) with super-low THD, 18 dB/oct LED level meter with 13 LEDs per channel M/S de-/encoding for the digital output AutoSet: Automatic gain reduction with multiple linking Current state can be stored to 8 user presets Fully remote controllable
Connectivity: 8 x Analog Input Preamps (XLR/Line with 85 dB gain range) 8 x Analog Output (XLR) 4 x AES/EBU Out (8 channels @ 192 kHz) 2 x ADAT Out (SMUX and SMUX4) MIDI I/O Word clock I/O optional: MADI I/O (I 64 MADI Card)
RME Micstasy Specifications:
Frequency response -0.1 dB: 20 Hz - 100 kHz EIN @ 30 dB Gain @ 150 Ohm: 122.3 dBu EIN @ 40 dB Gain @ 150 Ohm: 126.5 dBu EIN @ 50/60/70 dB Gain @ 150 Ohm: 127.4 dBu THD+N @ 30 dB Gain: < -100 dB, < 0.001 % Signal to Noise ratio AD (SNR) @ +30 dBu: 115.2 dB RMS unweighted, 118.5 dBA Signal to Noise ratio AD (SNR) @ +21 dBu: 112.7 dB RMS unweighted, 116 dBA Signal to Noise ratio AD (SNR) @ +13 dBu: 110 dB RMS unweighted, 113 dBA Sync sources: Internal, AES, word, Option (MADI) Sample frequencies: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz, variable (external clocks) Sample rate range: MADI: 32 - 192 kHz, word clock: 27 kHz - 200 kHz, AES: 28 kHz - 200 kHz Jitter: Typical < 1 ns for internal, word clock, AES and MADI input Jitter suppression: >30 dB (2.4 kHz) Jitter sensitivity: all PLLs operate error-free even at 100 ns Power supply: Internal switching mode PS, 100V - 240V AC, 60 Watt Dimensions: (WxHxD) 483 x 88 x 200 mm Warranty: 2 years
Review by David T. on 7 Apr 2025review stating Great choice
I was tired of lifting heavy speakers out of my house, then into my car, then out of my car, into the venue and up onto stands and then having to run leads to everything, all before a performance. My son recommended the JBL eon mk2, as he had hired the same for his gigging. I can be set up in less than 10 minutes and pull down in the same time. I ...Read MoreRead more about I was tired of lifting heavy speakers
run two iPads wirelessly, so everything is easy to transport, sounds great and looks very cool. Very pleased with every aspect of the rig. Read LessRead less about I was tired of lifting heavy speakers
Review by Robert P. on 6 Apr 2025review stating SSL E Dyn
Loving the SSL E Dyn. Apparently this was on every channel during sessions with the console. I can see why. Great way to get a clean punchy signal into your DAW. Love the extender circuit as well, it does a great job of keeping any unwanted background noise out of your recording.