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AEARPQ500
AEA RPQ500 (MK2) 500-Series Ribbon Mic Pre & EQ
The AEA RPQ500 preamp and EQ provides high-quality, high-gain, low-noise preamplification with a rich and musical sound that complements the natural tonality of your microphones.
The RPQ500 module, designed after the successful RPQ preamp, provides the same high-gain, high-impedance signal path that has earned AEA preamps their great reputation, but in a 500 series package.
Type: 500 Series
Features
- One channel with 81dB of sweet and quiet JFET gain
- High-frequency CurveShaper™ EQ and low-frequency proximity control
- Mic and line inputs for mixdown EQ versatility
- Switchable phantom power, polarity, line/mic
- NoLoad™ 10k Ohm high-impedance circuitry providing better overall transients, frequency response, and higher output sensitivity
- Made in the U.S.A.
ENHANCE YOUR RIBBONS
The AEA RPQ500 Ribbon Preamp and EQ provide one channel of high-output, high-impedance, and low-noise gain with a rich and natural sound that brings out the full potential of your microphones.
Specifically designed for ribbon microphones, the RPQ500 excels at drawing out the warmth and lush sound that ribbons are uniquely known for.
The RPQ500 is a powerhouse that provides unparalleled high gain with low-noise. With 81db of JFET output, the RPQ500 gives you enough juice to record soft sources without ever having to worry about noise.
IT'S OH SO QUIET
With the RPQ500, you will never consider a source too quiet to record with a ribbon mic ever again. Passive ribbons with low output levels require preamps that supply a high level of output. If the preamp you use doesn’t have enough clean gain, the mic signal may seem too soft or noisy which may be apparent when recording quiet acoustic guitars or strings, especially at a distance or with long cable runs. The RPQ500 eliminates this concern.
CURVE SHAPER EQ
The RPQ500’s CurveShaper™ EQ is a powerful tool that gives you the ability to control your ribbons right at the start of the signal path. Adjustable low and high-frequency controls allow you to tame proximity problems and provide high-frequency extension with slope control.
The high-frequency filter boost enables you to add presence and air to your source –perfect for sources like ribbons and 2-busses that often benefit from some extra top-end. The low-frequency control easily removes bass build-up in a fast and unobtrusive way.